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5thousand Words
"Using the minimalistic and expansive tastes of new age, blended with jazz harmonies, the memorable hooks of pop and colored with accessible R&B grooves, Bach has designed a tapestry of full-bodied easy listening music for a wide variety of contexts. Taking influences from Pat Metheny to Paul Winter, the Yellow Jackets to Sting to David Benoit, "Five Thousand Words" is a new standard in smooth jazz that leaves behind the elevator-music cliche and ventures into the expressive and evocative.
Reviewer: Tamara Turner
CD Baby
CD Baby
5thousand Words (Integrity Music) "
SONGS
Forget
Me Not
Chill
Between The World
Night Moves
Remembering Then
Say it Isn't So
Interlude (Seventh
Sun)
Seventh Sun
Five Thousand Words
Heaven's Gate (revisited)
Pulsation
Four Corners
A' La Mode
As
Night Falls
"If
it ain't broke, don't fix it". These wise words surely must have been David
Bach's mantra while writing and recording this, his second CD as a bandleader.
Using the same core group of musicians from his previous release, Window
on the West (augmented by a few
key
players), David has delivered an emotionally charged collection which blurs
the lines between new age and jazz.
Compositionally,
songs like "Passion Play" and "Between the World" are strong example of
effective theme development. The main melodic figure of "Passion Play" modulates
near the 2-minute mark and provides just enough tension to command attention,
even at low volume levels. "Between the World" teeters
between
minor and major tonalities without sounding fragmented or too "fusion-y".
In the song's outro, David's synth solo brings to mind Keith Emersons's
use of portamento on his "Fanfare For The Common Man" solo. David's decision
to fade out during the solo after a few measures was a show of good taste
and ego restraint.
Elsewhere, David displays his knack for tasteful arrangements
in several ways: His elegant usage of different keyboard flavors, namely
alternating grand piano and Fender Rhodes within a song, offers subtle organic
contrasts that add spice while suggesting a breadth of fresh influence;
and by maintaining a large palette of instrumental colors, he is able to
underscore a melodic line, such as the main line in "Seventh Sun" which
uses sax to double the piano's dominant melody. Rounding out the performances
on the disk, fretless guru Jimmy Charlsen takes an understated solo on "Between
the World" and contributes to the CD's overall cosmopolitan aura. Drummer
Frank Young makes a guest appearance on "Seventh Sun" and his approach is
a nice contrast from the equally fine playing of JuJu House, who handled
the bulk of the drumming. Longtime Bach affiliates Andy Shriver and Stan
Whitaker turned in nice, textural guitar parts. And we certainly can't forget
about good 'ole Frank Marchand whose world-class knob-twiddling makes 5thousand
Words feel right at home in the CD changer next to anything Windham Hill
or GRP for that matter, have ever released. Congrats to David and cohorts
on an exemplary glimpse into yet another of their many windows...
- Bob Frapples
Music Monthly Magazine
Out
of Baltimore comes keyboardist David Bach with his second solo
CD, 5thousand
Words. Bach has found great success already being voted "Best Instrumental
Band" from Music Monthly Magazine readers poll three years in a row (1999-2001).
He was a BET "Jazz Discovery Showcase" winner in 1999 and was nominated
in ’99 for a Wammie for Best Instrumentalist and Best CD (Washington Area
Music Award) and received a gold record (he has two) for co-writing with
singer Crystal Waters.. He was done a ton of studio work for musicians like
Janet Jackson to Everything But The Girl. Bach has also composed and scored
music for Fox TV, The Discovery Channel, PBS and others. If you like Keiko
Matsui and/or Sam Cardon you’ll like David Bach. His music has a lot of
drama to it with a influence from classical, New Age and Jazz. For you more
Smooth Jazz fans there is a track for you, too "Chill," which happens to
be one of my favorite on the CD because it has that Pop/Jazz sound with
a nice hook featuring the saxophone. The rest is more on the story telling
front. Painting pictures for your mind in a comforting, naturist sort of
way. Take "Between The World." A track like this would be perfect for a
nature channel. That is probably why he is successful creating music for
the Discover Channel. "Remember Then" has a nice solo piano theme that reminds
me of David Benoit’s playing ability. "Seventh Sun" is a good up tempo drama
flavored piece that makes me think of Matsui instantly. Bach uses all of
his musical influences for style and David Wells adds the sax licks to perfection
on this story. Bach’s playing his ass off with jazz licks galore. Nicely
done. If you are into the classical stage the title track, which is short
gives you that nugget. "Four Corner" is another Matsui type of song. Extremely
dramatic. Bach’s music is very good, just most of it would be hard to classify
as jazz, but who cares. From a musicians stand point it is interesting tunes.
Review by Jeff Charney / Contemporary Jazz.com
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Music will stop the passing stranger,
Looked for,
it cannot be seen:
applied,
it cannot be exhausted.
Lau-Tzu
His cast of featured musicians for this album includes:
Bobby Read (Bruce Hornsby)
David Wells (Maysa)
JuJu House (Arrested Development, Chaka Khan)
Lamont Battle (Herbie Mann)
Ekendra Das (Fertile Ground)
Andy Shriver (Carey Ziegler)
Omar Miguel (Mystic Warriors)
Jimmy Charlsen (Carl Fillipiak
Steve Jenkins
Frank Young (Carl Filipiak)
Tim Gregory (Nada Brahma)
Steve Bloom
Stan Whitaker (Happy the Man)
Frank Marchand did the Engineering
Michael Northrop (Steely Dan) did the CD photography.
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